• One large panel painting by an italian mannierism painter, probably Gaspare Venturini, depicting the Resurrection of the Christ
    Gaspare Venturini (documented in Ferrara, 1576-1593) (?), The Resurrection of Christ, c. 1590-1600
  • Five medallions depicting the Five Sorrowful Mysteries, from a lost painting of Our Lady of the Rosary, executed in Brussels c. 1500 by the Master of the Orsoy Altarpiece, important artist from the workshop of Colijn de Coter
    Master of the Orsoy Altarpiece (active in Belgium, Brussels, c. 1490-1520), The Five Sorrowful Mysteries, from a lost painting of Our Lady of the Rosary (Christ in Gethsemane; Flagellation of Christ; Mocking and crowning with thorns of Christ; Christ carrying the cross; Christ crucified with Mary and John), c. 1500
  • One large panel painting by an italian mannierism painter, probably Gaspare Venturini, depicting the Crucifixion
    Gaspare Venturini (documented in Ferrara, 1576-1593) (?), The Crucifixion, c. 1590-1600
  • Ferdinand Hodler (Bern, 1853-Geneva, 1918), Bust of Valentine Godé-Darel, c. 1914
    Ferdinand Hodler (Bern, 1853-Geneva, 1918), Bust of Valentine Godé-Darel, c. 1914
  • A panel painting from the 16th century depicting the Noli me Tangere after an artwork by Juan de Flandes
    Juan de Flandes (c. 1460-Palencia, 1519) (follower of), Noli me Tangere, c. 1530
  • A beautiful seascape with boats in a harbore, painted by Impresionst artist Eugène Boudin
    Eugène Boudin (Honfleur, 1824-Deauville, 1898), Trouville, les jetées, marée basse, 1894
  • Study of a male figure, detailed with muscular definition, by Charles de la Fosse.
    Charles de la Fosse (Paris, 1636-Paris, 1716), Figure of a male with drapery and his arm raised, c. 1700
  • Sketch of a seated figure with a halo, draped in flowing robes by Carle van Loo.
    Carle van Loo (Nice, 1705-Paris, 1765), God the father blessing, c. 1750
  • an old master painting by Swiss artist Jean-Pierre Saint-Ours depicting the Greec scene of the Olympic games
    Jean-Pierre Saint-Ours (Geneva, 1752-Geneva, 1809), The Coronation of the Winner, 1807
  • Detailed anatomical study of a hand in pencil by Jacques-Laurent Agasse, highlighting muscles and tendons.
    Jacques-Laurent Agasse (Geneva, 1767-London, 1849), Anatomy study of a hand (recto) and Study of Hecules' legs (verso), c. 1800
  • A painting realized in Belgium around 1630 and depicting the Portrait of Andreas Colyn de Nole, after a painting by Anthony van Dyck
    Anthony van Dyck (Antwerp, 1599-London, 1641) (follower of), Portrait of Andries Colijns de Nole, c. 1630
  • Portrait drawing of a young person with curly hair, by Carle van Loo.
    Carle van Loo (Nice, 1705-Paris, 1765), Head of an antique young man, c. 1750
  • Sketch of an Hermite praying, with a bbook, by Arbraham Bouvier.
    Abraham Bouvier (Geneva, 1801-Geneva, 1873), Hermite praying, 1825 (?)
  • Profile drawing of a young child's face in soft pencil, capturing serene expression.
    Jacques Saint-Ours (Geneva, 1708–Geneva, 1773) (?), Face of a child, eyes closed, in profile, c. 1760
  • Framed collection of twelve small, colorful watercolor painted by Leonaert Bramer and depicting various scenes of the life of Christ.
    Leonaert Bramer (Delft, 1596-Delft, 1674), A set of twelve scenes of the life of Christ, c. 1660-1670
  • A drawing realized by French artist from the 16 century, Jean Brotin, depicting a Portrait of a man.
    Jean Brotin (active in Lyon, c. 1528-1561), Portrait of a man, c. 1550-1560
  • Detailed drawing of hands in a grasping gesture, by Carle van Loo.
    Carle van Loo (Nice, 1705-Paris, 1765), Study of hands, c. 1750
  • Detailed anatomical drawing of hands by Jacques-Laurent Agasse, showcasing intricate muscle and bone structure.
    Jacques-Laurent Agasse (Geneva, 1767-London, 1849), Anatomy study (two left hands), c. 1800
  • Profile portrait of an elderly man with a beard, by Joseph-Marie Vien.
    Joseph-Marie Vien (Montpellier, 1716-Paris, 1809) (?), Portrait of an old bearded man, late 18th century
  • Pencil sketch of a cart filled with foliage by Wolfgang-Adam Töpffer, highlighting detailed wheels and branches.
    Wolfgang-Adam Töpffer (Geneva, 1766-Geneva, 1847), Cart loaded with branches, c. 1800
  • Architectural sketch of a monument with detailed annotations by Jean-Pierre Saint-Ours.
    Jean-Pierre Saint-Ours (Geneva, 1752-Geneva, 1809), Project for Charles Bonnet's tomb, 1793 (?)
  • Five profile sketches of men with various headwear and facial hair, showcasing classical features.
    Catherine Saint-Ours (Geneva, 1797-Geneva, 1881) (?), Study of five antique faces of men, c. 1850
  • Six profile sketches of bearded men, each with distinct expressions and headwear.
    Catherine Saint-Ours (Geneva, 1797-Geneva, 1881) (?), Study of six antique faces of men, c. 1850
  • Ink sketch of multiple expressive figures in dynamic poses by Jean-Pierre Saint-Ours.
    Jean-Pierre Saint-Ours (Geneva, 1752-Geneva, 1809), Study of various figures, late 18th century
  • Watercolor of a man sitting with a staff, wearing a hat, by Louis-Ami Arlaud-Jurine.
    Louis-Ami Arlaud-Jurine (Geneva, 1751-Geneva, 1829), Sleeping revolutionary, c. 1800