• Medieval iluminated manuscript, Book of Hours of the Saumaize Family, of Dijon, with a miniature of Saint John on Patmos and borders with floral decoration, painted c. 1490-1500 by the third Master of the Burgundian Prelates
    Master of the Saumaize Hours, Master of the Fyot Hours, and Third Master of the Burgundian Prelates, The Saumaize Hours, Dijon, c. 1490-1500
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  • Medieval illuminated miniature from a Book of Hours depicting The Miraculous Draft of Fishes. Painted by Antoine de Lonhy in Turin, Piedmont, c. 1470-1475. Framed artwork.
    Antoine de Lonhy, The Miraculous Draught of Fishes, Turin, c. 1470-1475
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  • Large medieval illumination from an Italian antiphonary, Venice, 15th-century. The artwork depicts the Noli me Tangere: the Christ appears to Mary Magdalena, who tries to touch him. Framed artwork.
    Master of Antiphonary Q in San Giorgio Maggiore, Noli me Tangere, Venice, c. 1467-1470
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  • Three decorative medieval illuminated manuscript letters “E” "H", "N" in red, blue, and cream, featuring intricate floral and vine-like patterns inside the letterform, centered on a plain parchment background within a wide margin. From an Atlantic Bible, Tuscany, Italy, 12th century.
    Tuscan illuminator, Three colorful illuminated initials "E", "H", and "N", from the same gigantic Bible, Tuscany, c. 1175
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  • An illuminated miniature from a medieval Book of Hours on vellum from Amiens, France, early 15th century, by the Master of Raoul d'Ailly, depicting the Annunciation with very richly illuminated borders with flowers in red, green, blue. Framed
    Master of Raoul d'Ailly (or workshop), The Annunciation, Amiens, c. 1430-1440
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  • An authentic Book of Hours from Medieval Bruges, 15th century, illuminated by the Mildmay Master from the workshop of Guillaume Vrelant, illumination showing the Virgin and Child and many floral ornaments and medieval beasts.
    Mildmay Master, The so-called Wrest Park Hours, Bruges, c. 1460
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  • A richly illuminated medieval manuscript, Italian Book of Hours from Rome, signed and dated by the scribe, with many illuminations and decorative borders, with the page showing the Annunciation
    Johannes Francigena, Very rare Book of Hours (use of Rome, Franciscan use), signed and dated by the scribe, March 5, 1494, with eight shinning illuminations, March 5, 1494
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  • A large and richly illuminated initial H from an Atlantic Bible, Rome, Italy, c. 1100, with intricate ornaments and various decorations in blue, yellow, green and blue.
    Roman illuminator, A large and richly illuminated initial "H" from a gigantic Bible, Rome, c. 1100
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  • An Italian Renaissance miniature from an illuminated manuscript, depicting a Prophet with a turban and scroll by a Veronese Illuminator, late 15th century, circular gold frame.
    Veronese illuminator (follower of Liberale da Verona), A striking figure of a prophet, 1480-1490
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  • The Rohan Master: two very rare illuminated miniature painting, from a medieval Book of Hours
    Master of Rohan (and workshop), The patroness in prayer before the Virgin and Child and the Flight into Egypt, c. 1420-1425
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  • A large illuminated leaf from a Renaissance choirbook manuscript, dated 1550, with a large initial showing the Trinity, as well as richly illuminated borders with flowers and putti playing in the margin
    Nikolaus Glockendon (follower of), Stunning illuminated choirbook leaf with the Trinity, 1550
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  • A charming illumination from a luxurious Book of Hours, depicting Saint Luke in his study with numerous books in the room, beautifully hand painted with bright and vivid colors by an anonymous master from 15th century France
    Master of Foljambe, Saint Luke at his desk, c. 1465-1470
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  • A highly decorative and colorful Renaissance manuscript miniature painting from a Book of Hours illuminated depicting the Pentecost, from a Book of Hours by a Parisian illuminator active in the early 16th century
    Parisian illuminator (follower of Étienne Colaud), The Pentecost, Paris, c. 1520
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