• One large and shinning framed illumianted miniature from a large antiphonary realized in Italy, Venice, c. 1467-1470 for the church of San Giorgio Maggiore. The artwork depicts the Noli me Tangere: the Christ appears to Mary Magdalena, who tries to touch him.
    Master of Antiphonary Q in San Giorgio Maggiore (active in Italy, Venice, c. 1440-1470), Noli me Tangere, c. 1467-1470
  • One framed illuminated miniature from a medieval Book of Hours realized in Amiens, France, c. 1430-1440 by the Master of Raoul d'Ailly (and workshop) and depicting the Annunciation.
    Master of Raoul d'Ailly (active in France, Amiens, c. 1420-1440) (or workshop), The Annunication, c. 1430-1440
  • Veronese illuminator (active in Verona, late 15h century) (follower of Liberale da Verona), A striking figure of a prophet, 1480-1490
    Veronese illuminator (active in Verona, late 15h century) (follower of Liberale da Verona), A striking figure of a prophet, 1480-1490
  • Medieval illuminated manuscript miniature featuring Saint Luke the Evangelist, depicted with a golden halo and red robes within an ornate Gothic architectural frame. The folio is decorated with elaborate marginalia including colorful foliate scrollwork in gold, blue, and green, small flowers, and decorative borders. Latin text appears below the miniature. The artwork demonstrates typical 15th-century manuscript illumination techniques with gold leaf, vibrant pigments, and intricate decorative elements. Artwork by the Master of the Vienna Roman de la Rose. La Gabrielle Fine Arts SA, Geneva.
    Master of the Vienna Roman de la Rose (Jean Hortart) (active in France, Lyon, c. 1425-1465), Saint Luke writing the Gospel, c. 1465
  • a richly illuminated medieval manuscript, an Italian Book of Hours made in Roma, signed and dated
    Johannes Francigena (French scribe active in Italy, Rome?, late 15th century), Very rare Book of Hours (use of Rome, Franciscan use), signed and dated by the scribe, March 5, 1494, with eight shinning illuminations, March 5, 1494
  • a renaissance miniature painting depicting the Pentecost, from a Book of Hours, in a frame
    Parisian illuminator (active in Paris, first half of the 16th century) (follower of Étienne Colaud), The Pentecost, c. 1520
  • Colorful illuminated iniaitls E, H and N from an Atlantic Bible realized in Tuscany c. 1175.
    Tuscan illuminator (active in Tuscany, 12th century), Three colorful illuminated initials "E", "H", and "N", from the same gigantic Bible, c. 1175
  • Very large and richly illuminated initial H from an Atlantic Bible realizead in Italy, Rome, c. 1100
    Roman illuminator (active in Rome, late 11th century-early 12th century), A large and richly illuminated initial "H" from a gigantic Bible, c. 1100
  • A medieval illuminated manuscript, a richly decorated Book of Hours by the Master of the Troyes Missal
    Master of the Troyes Missal (active in Troyes, Langres and Besançon, second half of the 15th century), Charming Book of Hours (use of Besançon) with thirteen paintings, c. 1460
  • The Rohan Master: two very rare illuminated miniature painting, from a medieval Book of Hours
    Master of Rohan (active in Troyes, Paris and Angers, between 1410-1440) (and workshop), The patroness in prayer before the Virgin and Child and the Flight into Egypt, c. 1420-1425
  • a charming illuminated miniature painting from a luxurious Book of Hours, depicting Saint Luc at his desk
    Master of Foljambe (active in Dauphiné, Grenoble?, second half of the 15th century), Saint Luke at his desk, c. 1465-1470
  • a large illuminated leaf from a renaissance choirbook manuscript, with a large initial with the Trinity, as well as a lot of ornaments
    Nikolaus Glockendon (active in Nuremberg, d. 1534) (follower of), Stunning illuminated choirbook leaf with the Trinity, 1550
  • Two illuminated leaves from a medieval Breviary. One depicts Saint Catherine of Alexandria in gold (camaïeu)
    Master of Jean Charpentier (active in Tours, second half of the 15th century), Saint Catherine and a text leaf from the Bréviaire de Saint-Julien de Tours, c. 1470-1475
  • one medieval Italian illuminated manuscript leaf, from a antiphonal, with a richly decorated initial
    Marino da Perugia (active in Perugia, early 14th century) (and workshop), A richly decorated leaf from the fifth volume of the Antiphonary made for the Dominicans in Perugia, c. 1320