• Red chalk study of two human hands clasping each other at the center, with detailed shading and visible construction lines on aged paper.
    Carle van Loo, Study of hands, c. 1750
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  • Softly shaded drawing of an elderly man in profile facing right, with a balding head, long beard, and contemplative expression against a muted background.
    Joseph-Marie Vien (?), Portrait of an old bearded man, late 18th century
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  • Charles de la Fosse drawing, study of a male nude figure in motion. Dynamic pose sketched in red and black chalk (trois crayons technique)
    Charles de la Fosse, Figure of a male with drapery and his arm raised, c. 1700
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  • Delicate pencil drawing of a young child’s head in profile facing right, with short hair and closed eyes, centered on a large sheet of aged paper.
    Jacques Saint-Ours (?), Face of a child, eyes closed, in profile, c. 1750
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  • 19th-century drawing by Abraham Bouvier after Gérard Dou. A praying Hermit in an landscape. Pencil sketch on paper, dated January 1825.
    Abraham Bouvier, Hermit praying, 1825 (?)
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  • Old master drawing study of hands by Jacques-Laurent Agasse. Detailed anatomical sketch of hands and a resting hand, black chalk on paper, circa 1800.
    Jacques-Laurent Agasse, Anatomy study (two left hands), c. 1800
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  • 18th-century architectural study drawing by Swiss artist Jean-Pierre Saint-Ours featuring a neoclassical monument design with detailed measurements and French annotations.
    Jean-Pierre Saint-Ours, Project for Charles Bonnet's tomb, Geneva, 1793 (?)
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  • Neoclassical graphite drawing of God the Father seated on a throne by French artist Carle Van Loo, circa 1750, showing a draped figure with outstretched arms.
    Carle van Loo, God the father blessing, c. 1750
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  • 1800 anatomical drawing of human legs and feet by Swiss artist Jacques-Laurent Agasse, executed in graphite and white chalk on beige paper.
    Jacques-Laurent Agasse, Anatomy study of a hand (recto) and Study of Hecules' legs (verso), c. 1800
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  • 18th-century brown ink figure study by Swiss artist Jean-Pierre Saint-Ours, featuring expressive sketches of mourning or lamenting figures in various poses of distress and grief.
    Jean-Pierre Saint-Ours, Study of various figures, Geneva, late 18th century
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  • 19th-century sanguine chalk drawing by a Swiss female artist featuring five character studies of classical and bearded male heads in profile and three-quarter view.
    Catherine Saint-Ours (?), Study of five antique faces of men, c. 1850
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  • Detailed red chalk (sanguine) study of six classical Greek and Roman style heads by a 19th-century Swiss female artist, showcasing varied expressions and hairstyles.
    Catherine Saint-Ours (?), Study of six antique faces of men, c. 1850
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  • Fine graphite sketch of a wooden horse-drawn cart filled with leafy branches by Swiss artist Wolfgang-Adam Töpffer, featuring handwritten notes in French.
    Wolfgang-Adam Töpffer, Cart loaded with branches, Geneva, c. 1800
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  • 18th-century watercolor painting by a Geneva artist depicting a seated revolutionary figure wearing a striped jacket and a cockade hat, leaning against a post.
    Louis-Ami Arlaud-Jurine, Sleeping revolutionary, Geneva, c. 1800
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