• A beautiful seascape with boats in a harbore, painted by Impresionst artist Eugène Boudin
    Eugène Boudin (Honfleur, 1824-Deauville, 1898), Trouville, les jetées, marée basse, 1894
  • Ferdinand Hodler (Bern, 1853-Geneva, 1918), Bust of Valentine Godé-Darel, c. 1914
    Ferdinand Hodler (Bern, 1853-Geneva, 1918), Bust of Valentine Godé-Darel, c. 1914
  • A panel painting from the 16th century depicting the Noli me Tangere after an artwork by Juan de Flandes
    Juan de Flandes (c. 1460-Palencia, 1519) (follower of), Noli me Tangere, c. 1530
  • Study of a male figure, detailed with muscular definition, by Charles de la Fosse.
    Charles de la Fosse (Paris, 1636-Paris, 1716), Figure of a male with drapery and his arm raised, c. 1700
  • painting by German artist Harald Erath (works and lives in Zurich, Switzerland) depicting a hand with blood.
    Harald Erath (born in 1984 in Germany, works and lives in Zurich, Switzerland), In Guten Händen 2, 2023
  • painting by German artist Harald Erath (works and lives in Zurich, Switzerland) depicting a hand with blood.
    Harald Erath (born in 1984 in Germany, works and lives in Zurich, Switzerland), In Guten Händen 1, 2023
  • an old master painting by Swiss artist Jean-Pierre Saint-Ours depicting the Greec scene of the Olympic games
    Jean-Pierre Saint-Ours (Geneva, 1752-Geneva, 1809), The Coronation of the Winner, 1807
  • Detailed anatomical drawing of hands by Jacques-Laurent Agasse, showcasing intricate muscle and bone structure.
    Jacques-Laurent Agasse (Geneva, 1767-London, 1849), Anatomy study (two left hands), c. 1800
  • Detailed anatomical study of a hand in pencil by Jacques-Laurent Agasse, highlighting muscles and tendons.
    Jacques-Laurent Agasse (Geneva, 1767-London, 1849), Anatomy study of a hand (recto) and Study of Hecules' legs (verso), c. 1800
  • A painting realized in Belgium around 1630 and depicting the Portrait of Andreas Colyn de Nole, after a painting by Anthony van Dyck
    Anthony van Dyck (Antwerp, 1599-London, 1641) (follower of), Portrait of Andries Colijns de Nole, c. 1630
  • Sketch of an Hermite praying, with a bbook, by Arbraham Bouvier.
    Abraham Bouvier (Geneva, 1801-Geneva, 1873), Hermite praying, 1825 (?)
  • Portrait of a man with curly hair in formal attire, set against a dark background, by Jean-Etienne Liotard.
    Jean-Étienne Liotard (Geneva, 1702-Geneva, 1789), Portrait of the pastor Jean-Pierre du Maine, 1721
  • Portrait of a man with curly hair in formal attire and yearing a black coat, set against a dark background, by Robert Gardelle.
    Robert Gardelle (Geneva, 1682-Geneva, 1766), Portrait of a man (Robert Dunant ?), c. 1720-1730
  • A drawing realized by French artist from the 16 century, Jean Brotin, depicting a Portrait of a man.
    Jean Brotin (active in Lyon, c. 1528-1561), Portrait of a man, c. 1550-1560
  • Portrait drawing of a young person with curly hair, by Carle van Loo.
    Carle van Loo (Nice, 1705-Paris, 1765), Head of an antique young man, c. 1750
  • Detailed drawing of hands in a grasping gesture, by Carle van Loo.
    Carle van Loo (Nice, 1705-Paris, 1765), Study of hands, c. 1750
  • Study of two heads, one looking upward and the other downward, Carle van Loo.
    Carle van Loo (Nice, 1705-Paris, 1765), Study of two faces, c. 1750
  • Framed collection of twelve small, colorful watercolor painted by Leonaert Bramer and depicting various scenes of the life of Christ.
    Leonaert Bramer (Delft, 1596-Delft, 1674), A set of twelve scenes of the life of Christ, c. 1660-1670
  • Sketch of a seated figure with a halo, draped in flowing robes by Carle van Loo.
    Carle van Loo (Nice, 1705-Paris, 1765), God the father blessing, c. 1750
  • Landscape drawing of trees with intricate foliage on brown paper by Wolfgang-Adam Topffer.
    Wolfgang-Adam Töpffer (Wolfgang-Adam Töpffer (Geneva, 1766-Geneva, 1847), Study of trees, c. 1800
  • Pencil sketch of a cart filled with foliage by Wolfgang-Adam Töpffer, highlighting detailed wheels and branches.
    Wolfgang-Adam Töpffer (Geneva, 1766-Geneva, 1847), Cart loaded with branches, c. 1800
  • Five profile sketches of men with various headwear and facial hair, showcasing classical features.
    Catherine Saint-Ours (Geneva, 1797-Geneva, 1881) (?), Study of five antique faces of men, c. 1850
  • Six profile sketches of bearded men, each with distinct expressions and headwear.
    Catherine Saint-Ours (Geneva, 1797-Geneva, 1881) (?), Study of six antique faces of men, c. 1850
  • Architectural sketch of a monument with detailed annotations by Jean-Pierre Saint-Ours.
    Jean-Pierre Saint-Ours (Geneva, 1752-Geneva, 1809), Project for Charles Bonnet's tomb, 1793 (?)
  • Ink sketch of multiple expressive figures in dynamic poses by Jean-Pierre Saint-Ours.
    Jean-Pierre Saint-Ours (Geneva, 1752-Geneva, 1809), Study of various figures, late 18th century
  • Profile drawing of a young child's face in soft pencil, capturing serene expression.
    Jacques Saint-Ours (Geneva, 1708–Geneva, 1773), Face of a child, eyes closed, in profile, c. 1760
  • Watercolor of a man sitting with a staff, wearing a hat, by Louis-Ami Arlaud-Jurine.
    Louis-Ami Arlaud-Jurine (Geneva, 1751-Geneva, 1829), Sleeping revolutionary, c. 1800
  • Profile portrait of an elderly man with a beard, by Joseph-Marie Vien.
    Joseph-Marie Vien (Montpellier, 1716-Paris, 1809) (?), Portrait of an old bearded man, late 18th century
  • an old master painting depicting a still life with dead birds, with a large duck in the middle
    Michael Johann Schnitzler (Neustadt, 1782-Munich, 1861), Still life with dead birds, c. 1830-1850